This poster explores the multiple meanings and cultural significance of the word mirror, visually reflecting its dual nature—clarity vs. distortion. Through mirrored, concealed, and fragmented typography, along with layered imagery, the design examines how mirrors can reflect reality as a perfect copy or a distorted illusion, building a sense of uncertainty. The double exposure of a man—one version gazing off to the side, the other staring directly at the viewer—heightens the eerie ambiguity of mirrors. Inspired by David Carson’s approach to legibility and illegibility, the typographic treatment further blurs the line between perception and obscurity. The composition also evokes the unsettling presence of two-way mirrors, suggesting that while you are looking, you may also be watched.